In recent months, I’ve been falling down a Sound of Falling rabbit hole. Even though the mesmerising, experimental drama is 148 minutes long, I’ve watched it four times: at the back of a cinema, and again near the front; on my laptop in the morning, with a coffee, and again in bed, just before falling asleep, when my brain was in a dreamy headspace. The 31,000-word screenplay by the director, Mascha Schilinski, and her co-writer, Louise Peter, is sohellip;
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